A singular attempt to graft a Wenders-inspired German version of the US road movie onto a bleak, run-down, black and white English landscape during the dog days of the Callaghan government, the film opens with a long tracking shot that creeps slowly around a dimly-lit flat in Bristol, before coming to rest on the feet of a suicide in his bath.
Not long after the death of Florian Schneider was announced in May of this year, 1 I re-watched the 1979 film Radio On, directed by Chris Petit, and co-produced by Wim Wenders. ‘There is no beginning and no end in music … Some people want it to end but it goes on’
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